The answer lies in ones interpretation of the play. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold. The main conflict in Antigone centers on a distinction between law and justice.
Divine law involves morals and beliefs that are presented by God. Antigone, however, is entangled in a legacy of fate that plagues everyone in the family of Oedipus. Creon sees her as a rebel, a threat to his power: He has lost his son and his wife has killed herself.
I believe that from the view of Sophocles, the blame for the tragedies falls more on the shoulders of Creon. Haemon tries to explain that Creon is out of touch with the people, who with one voice support Antigone.
He said that Creon would end up paying back for his actions against Antigone and also Polyneices. When he honours the laws of the land, and that justice which he hath sworn by the gods to uphold, proudly stands his city: They are not merely now: Creon is king and in an early speech to the city elders the Chorushe explains how he will be a tough ruler because of his loyalty to Thebes.
The Chorus does not defy Creon as Antigone does, but they do give feedback to him at critical points. Creon had the opportunity to not punish Antigone how he did and he could have avoided the tragedy all together.
God would not make such a proclamation as the one made by Creon, God would not make a law that forbids a sister from burying her own brother. The issues between Antigone and Creon is what the whole play is basically all about.
Indeed, in her terms these absolutes are, paradoxically, just the things that live always In other words, there is the conflict between religious Antigone and tyrant Creon. But Antigone emerges as a heroine who presses forward in the full conviction that she is right.
They do not think she should die for what she has done but they would never challenge the King on it.
Human law is usually set up by the head of a community or by the governors of the land. I beg the dead to forgive me, but I am helpless: An early choral ode praises the wonders of human accomplishment: Creon does not want to listen to the others though, he believes that only he has the right to rule and make the laws and punish those who break them as he sees fit.
Creon could have prevented this by listening to his own son and not making him so mad by telling him he was going to out her to death and that she was a criminal when Haimon did not believe it.
He decided to undo what he had done by quickly building a tomb for the body of Polyneices and also by freeing Antigone from the vault where she was taken to die. From my own contemporary perspective, I believe that Creon is to blame for most of the tragic events in the play.
Whether your purpose is to win a scholarship, get enrolled in university, analyze the latest events or write for college, here you will be able to find the detailed information on any essay type you need. In a way, Creon courted his own ruin, so he deserves what he gets.
It is a conflict between a human law and a higher law. Polynices, the brother of Antigone and Ismene was guilty not only of killing his brother, Eteocles, but also of attacking the state and like all traitors Polynices will be denied a proper burial.
Antigone was only following what she believed in, by giving her brother Polyneices a proper burial despite what the human law set up by Creon had specifically stated.
But I, at any rate, can listen; and I have heard them…They say no woman has ever, so unreasonably, died so shameful a death for a generous act. Together the fates were called the Moirae, the ones who apportioned human destiny. You are not in a position to know everything that people say or do, or what they feel: Towards the end of the play, a blind prophet named Teiresias went to Creon and informed him of his wrong doings.
They make sure that the law of the land is followed accordingly. He goes first to bury Polyneices, but Antigone has already hanged herself.
The laws of the Gods are eternal; they will always be higher than the laws of the state. He had the chance to change his mind, he had others saying that maybe he should think about it and he did not. Morally and ethically he has been defeated by Antigone, though she has been defeated politically by Creon.There is much conflict between Antigone and Creon throughout the play, both of them having their own ideas and opinions regarding divine law versus human law.
The theme that I am going to analyze is the conflict of divine law vs.
human law. On the surface, the conflict between Antigone and Creon appears to be that of protagonist versus antagonist, but there is more to this literary. Sophocles' Antigone focuses on the conflict between human law and the law of the gods when following both sets of laws at a time seems to be impossible.
Antigone wishes to honor the gods by burying her brother, but the law of Creon decrees that he shall have no burial since her brother is technically a traitor to the state. The conflict between the individual and the power of the state was as pressing for Greek audiences as it is to modern ones.
She sacrifices her life out of devotion to principles higher than human law. Creon makes a mistake in sentencing her-and his mistake is condemned, in turn, by the gods-but his position is an understandable one.
Start studying Antigone: Prologue to Scene 2.
Learn vocabulary, terms, and more with flashcards, games, and other study tools. Besides the conflict between human and divine law, what other conflict does Creon allude to when he claims he can't spare Antigone? Read the excerpt below from the play Antigone by Sophocles and answer. A summary of Antigone, lines 1– in Sophocles's The Oedipus Plays.
Learn exactly what happened in this chapter, scene, or section of The Oedipus Plays and what it means. does not want to risk punishment by death. Antigone rejects Ismene’s arguments, saying that she holds honor and love higher than law and death.
Antigone exits, still.Download